Media Reviews
Nat Hentoff, Author/Columnist, The New York Times"In my experience of some thirty years of writing about and recording musicians, BENNY GOLSON stands out as a man whose musical skills and capacities are extraordinarily wide-ranging. He is consistently resourceful in terms of creativity, as well as as being a thorough professional. His conscientiousness, the high standards he always sets for himself, and his total reliability are qualities that account for the prominence he has attained - along with, of course, his prodigious musicianship as a composer, arranger and performer. Benny Golson continually impresses me with the freshness of his musical conceptions. But I am never surprised that they always work exactly as he says they will, because they always do."
John S Wilson, Jazz Critic, The
New York Times
"I have known Benny Golson as one of the most complete
musicians of the past twenty-five years. He is a composer
with an unusually brilliant melodic sense."
Gene Reynolds, Co-Producer, M*A*S*H
serie
" Benny, I wish to thank you for the great work you are
doing for us weekly on M*A*S*H. We appreciate the fact that
you are a musician with whom we can communicate; that you
take great care in understanding the material and expressing
the theme and ideas musically; and ultimately that you have
the talent and imagination to deliver."
Roy Eaton, Vice President, Benton
& Bowles, Inc
"If I were to compile a VIP list among composer-arrangers
Benny Golson would certainly be among the top few for outstanding
Versatility, Imagination and Professionalism."
Reed Springer, Director/Producer
"Benny is one of the most enthusiastic and creative
composers I know - always open to suggestions, totally committed
to quality, surrounded with tremendous talent and never satisfied
until he feels he has done the job the agency requested."
Bob McCullough, The Boston Globe
"Virtually every solo by Golson is a textbook tour
de force".
Fred Bouchard, Jazz Times, September
1995
"Let me say what a pleasure it is to hear Grand Master
Golson back in the fray. Here Golson lays down -with the collusion
of a sterling trio - five mighty jam-length tracks"
John Fordham, The Guardian, January
14, 1994
"Saxophonist and composer Benny Golson remains one
of the most attractive chameleons of improvisation".
Alex Anderson, Jazziz, November
1995
"...superb...Golson offers soul and warmth as well
as considerable technique, leaving no doubt that he is indeed
tenor sax royalty".
Owen McNally, Hartford Courant,
May 11, 1995
"When Golson isn't soloing, pianist Mulgrew Miller and
his sidekicks stretch out beautifully in the piano tiro format.
But the real treasure is the Golson gold. It's never less
than 24 karats whether he's finding new things to say about
"Sweet and Lovely" or brushing in new colors and
shapes in his own pieces."
Jack Bowers, Cadence
"In these days of smoothly burnished sound-alike
tenor saxophonists, there aren't many whose uniquely personal
approach sets them apart from and above their peers. Benny
Golson is one such player....the music ....is superb throughout."
Frank-John Hadley, Jazziz
"Consider Benny Golson...he's a world class composer
and arranger, and an outstanding ...tenor-sax player whose
engine still runs strong".
George Fendel, Jazzscene
"Benny Golson's ....sound is rich and thick, unique
and instantly identifiable through decades of jazz prominence.
Golson's contributions to the jazz art encompass superb performance,
composition and arranging skills. He has earned the title
of living jazz legend. ****1/2 stars."
David Rosenthal
"In a sense, artists like Benny Golson may represent
what modern jazz would have been had the bebop revolution
not taken place under the sign of radical innovation."
Articles
>
Recording Academy News
2/09/2005
Music legends Jon Hendricks and Benny
Golson stepped like soldiers during a martial performance
of Golson's jazz classic "Blues March," pianist
and hard-bop pioneer Horace Silver beamed proudly as an exceptional
high school ensemble interpreted some of his best-loved classics,
and music lovers offered a reverent moment of silence for
two recently departed friends....
12/13/2004
Benny Golson is the Noah Webster of jazz. His vocabulary is unsurpassed and few if any have contributed more to the lexicon. Literally and musically, he commands vast knowledge — whether as saxophonist, composer, arranger, or raconteur....
> Kansas
City Star
12/09/2004
Creativity,” Golson says, “demands that you move on.”Golson
has been in creative motion since he was 9, when he became
“a very serious piano student,” playing light classical music
for Sunday afternoon fashion shows in his native Philadelphia.
But his interests switched abruptly to jazz at 14 when he
heard Lionel Hampton's big band.....
> Indianapolis
Star
12/01/2004
Young Benny Golson rubbed shoulders
with some jazz immortals one day in 1958, when photographer
Art Kane took a group portrait of more than 50 musicians on
the steps of a Harlem brownstone......
> Mosaic
Records Brochure
8/2004
Navigators use triangulation to find
location – you learn the position of known objects, find the
point where lines drawn from each point intersect, and use
that information to derive the position of the target. Well,
you can use the same method to locate jazz in the early 1960s.
It rests squarely at the intersection of the Art Farmer-Benny
> North
7/14/2004
Benny Golson refuses to talk about
his childhood. According to him, it's a long, boring and exhausted
story that no one wants to hear anymore. Benny Golson refuses
to talk about musicians and drug abuse. He gets tired of everyone
always wanting to talk about jazz musicians and their personal
problems. Benny Golson doesn't want to talk about anything,
besides the music of course....
> Denver
Post
1/16/2004
Saxophonist Benny Golson didn't believe that Steven Spielberg
really wanted him to appear in a Tom Hanks film he was directing.
" I was in Europe. My office called and said that he
(Spielberg) wanted to know if I was interested," said
Golson, who plays Mount Vernon Country Club on Thursday.
"I initially told them (his office) no. "This jazz
journeyman turned down Hollywood's best-known director? Well,
not exactly....